Please use this identifier to cite or link to this item: https://openscholar.ump.ac.za/handle/20.500.12714/912
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dc.contributor.authorYende, Sakhiseni Joseph.en_US
dc.contributor.authorYende, Nsizwazonke Ephraim.en_US
dc.date.accessioned2025-03-20T06:42:07Z-
dc.date.available2025-03-20T06:42:07Z-
dc.date.issued2024-
dc.identifier.urihttps://openscholar.ump.ac.za/handle/20.500.12714/912-
dc.description.abstractRooted in the philosophy of Ubuntu, this article contends that the revival of indigenous South African music transcends mere cultural revitalisation; it emerges as a transformative force for community empowerment. Through the cultivation of creativity, the bridging of generational divides, and the nurturing of a profound sense of belonging, Ubuntu reaffirms the intrinsic worth of everyone’s contribution to the collective cultural legacy. The African Renaissance, a dynamic movement dedicated to rejuvenating Africa’s cultural, political, and economic identity, finds its heartbeat in the resurgence of indigenous African music. This article embarks on an in-depth exploration of this study, focusing on a case study of South Africa. Employing a qualitative content analysis methodology, the study draws from a comprehensive array of scholarly sources including articles, book chapters, and theses. In doing so, this articlenot only contributes to a deeper understanding of the complex interplay between cultural preservation and community empowerment but also underscores the enduring spirit and cultural richness of the African continent. This article provides valuable insights for scholars, practitioners, and policymakers engaged in the broader discourse on the African Renaissance and the pivotal role of indigenous music within it. This article concludes by mentioning that the quest for the restoration of the African Renaissance through indigenous South African music is a testament to the enduring spirit of the nation. It is evident that by embracing globalisation without compromising authenticity, South Africa exemplifies how a nation can reclaim its narrative and make meaningful contributions to the global cultural mosaic.en_US
dc.language.isoenen_US
dc.publisherNoyam Journalsen_US
dc.relation.ispartofE-Journal of Humanities, Arts and Social Sciencesen_US
dc.subjectAfrican renaissance.en_US
dc.subjectCultural revitalisation.en_US
dc.subjectGlobalisation.en_US
dc.subjectIndigenous African music.en_US
dc.subjectUbuntu.en_US
dc.titleThe quest for restoration of the African renaissance through indigenous African music and globalisation: a case study of South Africa.en_US
dc.typejournal articleen_US
dc.identifier.doi10.38159/ehass.20245151-
dc.contributor.affiliationUniversity of South Africaen_US
dc.contributor.affiliationSchool of Development Studiesen_US
dc.relation.issn2720-7722en_US
dc.description.volume5en_US
dc.description.issue15en_US
dc.description.startpage1en_US
dc.description.endpage11en_US
item.languageiso639-1en-
item.openairetypejournal article-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.grantfulltextopen-
crisitem.author.deptSchool of Development Studies-
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