Please use this identifier to cite or link to this item: https://openscholar.ump.ac.za/handle/20.500.12714/139
Full metadata record
DC FieldValueLanguage
dc.contributor.authorJansen van Vuuren, Eurika Naomi.en_US
dc.date.accessioned2020-11-16T06:58:17Z-
dc.date.available2020-11-16T06:58:17Z-
dc.date.issued2019-
dc.identifier.urihttps://openscholar.ump.ac.za/handle/20.500.12714/139-
dc.descriptionPlease note that only UMP researchers are shown in the metadata. To access the co-authors, please view the full text.en_US
dc.description.abstractSeveral perceptions of male educators and their influence on foundation phase pupils need to be explored. Research should ensure that stereotyped thinking does not harm their valuable contribution to education. An unusual high entry of male students in a B.Ed Foundation Phase programme required adjustments to the music section of the Arts module to empower male students with alternative teaching methods to ensure satisfying outcomes for teachers and their pupils. Singing is an integral part of childhood education and assists in bringing the playful dimension required by the curriculum to the class. Generalist educators without suitable singing abilities and confidence will find the classroom situation challenging. Confidence is often influenced by the lack of proper singing ability. The voice of a male adult singer contains certain biological aspects to be considered when singing with children with young developing voices. In addition, African male singers have a cultural influence that needs to be considered when preparing teachers for the Foundation Phase. The main research question asks; how does an African male voice model, impact on the acquisition of singing skills of pupils in the Foundation Phase classroom? Sub-questions include; why do African males switch to harmonies and not remain with the melody? Who are the best role models for young developing voices? How can African male students be empowered to overcome challenges with classroom singing? Literature, questionnaires, observations and interviews contributed to the information obtained in this mixed-method study using a constructivist paradigm. Findings include that cultural and biological aspect, impact African male educators’ singing behaviour, influencing the singing voices of children in their care.en_US
dc.language.isoenen_US
dc.publisherUnisa Pressen_US
dc.relation.ispartofMuziki: Journal of Music Research in Africa.en_US
dc.subjectFoundation phase.en_US
dc.subjectAfrican male educators.en_US
dc.subjectSinging.en_US
dc.subjectVoice quality.en_US
dc.subjectConfidence.en_US
dc.subjectLearners.en_US
dc.subjectChildren.en_US
dc.titleThe influence of foundation phase male teachers on their learners : a musical perspective.en_US
dc.typejournal articleen_US
dc.identifier.doi10.1080/18125980.2019.1634486-
dc.contributor.affiliationSchool of Early Childhood Educationen_US
dc.relation.issn1812-5980en_US
dc.description.volume16en_US
dc.description.issue1en_US
dc.description.startpage100en_US
dc.description.endpage116en_US
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.fulltextWith Fulltext-
item.openairetypejournal article-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.languageiso639-1en-
Appears in Collections:Journal articles
Files in This Item:
File Description SizeFormat 
The-influence-of-foundation-phase-male-teachers-on-their-learners-a-musical-perspective..pdfAccepted version319.54 kBAdobe PDFView/Open
Show simple item record

Page view(s)

46
checked on Jan 8, 2021

Download(s)

2
checked on Jan 8, 2021

Google ScholarTM

Check

Altmetric


Items in UMP Scholarship are protected by copyright, with all rights reserved, unless otherwise indicated.